To suit the Action to the Word, the Word to the Action

Plenty food for thought here and, yes, comfort and inspiration…

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SO much here from the excellent Sam West – including: power of arts, funding, gender, social disparity, social media, Greek tragedy and Alzheimer’s – and all easy to take in…

Samuel West: ‘There’s plenty of money for the arts. It’s just that too much of it is in the Cayman Islands’ | Stage | The Guardian

Sam West - Photograph: Mark Passmore/ Apex

Sam West [Photograph: Mark Passmore/ Apex]

21@21: The Result!

Exciting news – can’t wait to find out more!

relaxed frogPlaying with character’s physicality can really affect the actor’s mood and general physicality.

Here’s some fascinating information on how everyone can use that, and why:

James Clear’s ‘How to Be Confident and Reduce Stress in 2 Minutes Per Day’.

Worth bearing in mind for auditions, interviews, etc. as well as everyday life!

Season’s Greetings!

Here’s wishing you fantastic festive fun!

Have a lovely short story here

Season's Greetings from Discover Fine Acting

Season’s Greetings from Discover Fine Acting

The D21 Club – great!

Fantastic opportunities for anyone interested in performance and able to reach Edinburgh!

Discover 21 is Edinburgh’s newest – and smallest – permanent theatre space. The D21 Club relates to great events including plays, workshops, hire of space, and more…

The D21 Club. Discover 21 - The D21 Club: http://discover21edinburgh.com/about/the-d21-club/

Joyce McMillan - Online

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JOYCE MCMILLAN on BRECHT AND THE SOB FACTOR IN 21ST CENTURY THEATRE  for the Scotsman Magazine, 6.9.14. _________________________________________________________

IN THE LAST WEEK of this year’s Edinburgh International Festival, a show swept into town like brisk, sharp wind of change, first felt two generations ago, still blowing today.   The show was Handspring Puppet Theatre’s Ubu And The Truth Commission, first seen in Johannesburg in 1997, yet still supremely relevant in an age when the impunity of those who commit crimes against humanity continues to fuel rage and conflict across the world.

And what was immediately striking about this show – in the context of Edinburgh 2014 – was how little it cared to be liked, or to invite empathy for its characters.  Based on Alfred Jarry’s great absurdist classic Ubu Roi, the show has two human characters who are defined by their obscene grotesquery, the one more repellent than the…

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