Looking for last minute Xmas present? Check out this suggestion…
Looking for last minute Xmas present? Check out this suggestion…
One of the hardest things for many performers is actually promoting themselves and their work – too often, we can feel awkward about putting ourselves out there and ‘blowing our own trumpets’.
Promoting ourselves is part of our work, however, an essential aspect of the business. Be reasonable, of course – whatever that means to you, remembering that what is thought reasonable will vary among those you are trying to reach – but make sure you and what you do are ‘out there’ in the consciousness of others in the business and of the public at large, as much as you are able.
With that in mind, here is information from my agency about my current show, the award-winning ‘Grace Under Pressure’ by Richard Morris, presented by Black Dingo Productions as part of their major 5-day launch…
This is a challenging role for me as an actor and it is part of a very exciting project: Black Dingo Productions are looking to assist – with funding, teching, casting and advising – grass-roots theatre in Edinburgh, a brilliant bit of news for theatre companies.
So, go check this out, and remember to promote yourself and your shows too!
It’s live! You can now find the City of Edinburgh Council’s survey about changes to Public Entertainment Licensing online.
Make sure you tell them what you think about their proposals re. licences for free events!
If you are not yet in the picture re. these changes, check out the importance of this campaign and the basics of what is involved and what is going on.
The public consultancy period – where you and I get to put our penny’s-worth in – has started on changes to the Public Entertainment Licensing Resolution of the City of Edinburgh Council. Below is a letter giving details about this (bold highlighting by me) and how to speak up about this important issue.
If you are not familiar with the campaign highlighting the affect of these changes on free events and expression, check out the posts in the category ‘Public Entertainment Licence Fiasco‘, in particular Keeping Track.
“Firstly I would confirm that the advert advising of the proposed draft Public Entertainment licensing Resolution went into the Edinburgh Evening News on 16th March 2012. That has the effect of kick-starting the legal process for the consultation. The advert invites written responses, to be sent to the Director of Services for Communities, Licensing Section, 249 High Street, Edinburgh, EH1 1YJ.
In addition we have set up an email address for consultation responses – email@example.com
Separately, arrangements are in hand for an online consultation and I understand that this is likely to be accessed on the Council’s website at the general consultations section, and also via a link from the Public Entertainment licensing section of the website. At the time of emailing the questions for the online survey were almost ready – so hopefully will be in place by the end of the week. Meantime, a couple of links which will hopefully be of some assistance to you:-
The details of the committee decision and the press release, etc are at the following link:-
The details of Public Entertainment licensing and the link to the online survey will be at the following address (which at the time of emailing was still to be updated):-
http://www.edinburgh.gov.uk/info/309/public_entertainment_licences/935/public_entertainment [the survey is now live - the above link leads to it, or you can go direct via http://www.surveymonkey.com/s/QTZMWXP]
For those who are anxious to ensure that their views are recorded, may I suggest that they make use of the email address as above, and/or write in with their comments? Once the online questionnaire is up and running, that will enable a more accessible means of responding to the consultation process – as I say, I think that should be ready in the next day or two.
Hope this assists in the meantime.
“As I write, poets, performers and artists sit in prisons and under house arrest across the globe (as a visit to Amnesty International will inform), because they encourage society to think. Art is as necessary in a democracy, as food and water, if there is to be quality of life. Quality of life comes from knowing one has the power to change, contribute, be heard and to hear why things are as they are or how they could be within our communities.”
Wise words from Gillian, leading to why A Little April Foolery is so important, in the ‘Crunch time for Edinburgh!’ comments.
See Gillian’s comment in full – and add your responses too!
Confusion is hardly surprising given that councils have different Resolutions and it is these which require amendment to follow the Scottish Government wishes for councils to deal reasonably on this matter.
The legislative change at government level was made in 2010. Amendment of a Resolution (which lists events to be licensed) by removing certain events requires a 28 day consultancy period. Amendment of a Resolution that makes additions (does that cover putting in exemptions?), or re-words it completely – stating what IS to be covered (probably a superior method of approach) – requires a 9 month consultancy period.
Any Council that claims it was against the changes to the legislation at the time they were made (i.e. Glasgow) should not now require a period of review / consultation, etc. as they have had plenty of time since 2010 to go through even the long consultancy period.
That the issue has only now come to light as a problem shows the lack of attention being paid to this piece of legislation.
The Scottish Government has either not prepared councils fully or has been ignored by councils – either situation is disgraceful. The legislation as it stands places a huge onus of work and of trust on the councils and it allows regional discrimination.
The legislation itself must be reviewed.
The councils have had time to put a workable and reasonable Resolution in place that deals with this legislation and there are major councils – Edinburgh and Glasgow to my definite knowledge – that have not done so.
No council (take note, Edinburgh) should now put the onus on the public to apply for licences, free or otherwise, which are only required because certain councils have not dealt with their Resolutions in time to handle this legislation despite the legislation having been passed back in 2010. This, too, is disgraceful.
Whatever the situation with each local council and its Resolution, the April 1st events will help to highlight the fact that neither Scottish Government nor major local Councils paid proper attention to this legislation: not to how it would be handled; not to how it would actually affect the people of Scotland.
This is the event covered in The Scotsman’s article ‘Stage is set for artistic April Fools Day protest against new red tape‘ and it is about raising awareness of grassroots arts and how the current Public Entertainment Licence changes are threatening them and local community events.
At time of posting, the number of those joining in is nearing the 1,200 mark – make sure you’re involved too!
Jasmin Egner, herself pursuing an acting life in Edinburgh (having come from Germany) has written a wonderful comment on the ‘Crunch time for Edinburgh!’ post.
She mentions that coming here was related to her perception that the UK and Edinburgh in particular value creativity and that bureaucracy wouldn’t really be an issue when it comes to spontaneity.