Hyde & Seek
Of the shows I’ve reviewed for Edinburgh Spotlight this Edinburgh Fringe Festival, here are the top ones which are still playing:
Shakespeare for Breakfast
Hamlet (C too)
The Player’s Advice to Shakespeare
Human Child (children’s show)
Shows still playing, seen but not reviewed and worth catching:
Hyde & Seek
Such a Nice Girl
along with free shows:
New Room Theatre: The Second Half (note that two monologues are being performed, the third mentioned will be on at a later date: keep an eye on Discover 21 for that)
Be sure to comment below, if you have any last minute Fringe recommendations, or if you have your eye on upcoming International Festival shows you think are worth a mention…
Recently I watched Barbra Streisand on Inside the Actors Studio – watch, folks, watch!
She is so present, alive and honest.
In a conversation earlier on Facebook, I was considering personal understanding and strength, so one of the many things that stood out to me was when Streisand was asked about her strong sense of self. She replied…
“With a strong sense of self there is also deep insecurity. Don’t get fooled by something as easy as just a strong sense of self.”
We see people we admire and often don’t fully understand that we probably share many similar doubts and fears as well as hopes and joys.
She went on to say also that “you are seen as you see yourself”. There are so many levels to this – watch the interview, folks, watch!
(Many such Inside the Actors Studio interviews have been available on YouTube, but it looks as though much has been removed. DVDs are available, though – I used LoveFilm.)
In this infographic report, the New York Film Academy looks at women in film. Its focus is on big budget films – how much would you say is reflected in grass roots / independent films? Certainly a high number of castings that come my way have more roles for men and the female roles tend to be defined in relation to men / others (i.e. mother, prostitute, girlfriend), while male roles tend to be about who / what they are in relation to their own lives, work, goals, etc.
We need imagination, empathy and invention…
… to create our worlds well and for the future.
Which means imagination, empathy and invention must be stimulated and encouraged, especially in children. Performance is one of the greatest ways to do this, with arts in general incredibly strong here.
Changes to school curricula, cuts re. arts and libraries, and opinions that restrict the value given to certain aspects of performance / expression are truly worrying, completely opposing important understandings addressed here:
Lyn Gardner on the value of children’s theatre -http://www.theguardian.com/stage/theatreblog/2013/oct/23/why-childrens-theatre-matters
Neil Gaiman on the power of reading – http://www.theguardian.com/books/2013/oct/15/neil-gaiman-future-libraries-reading-daydreaming
Agree, or disagree – fully or partially – what do you think?
Because we really need to have a decent sense of our own value, folks!
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“Critics of state investment in the arts often say it’s a choice between the arts and hospital beds. In fact the opposite is true – the arts pay for those hospital beds.”
Playwright Fin Kennedy, following a meeting with Culture Minister Ed Vaizey, has created a fantastic campaign for collating information about how new writing and theatre is being hit by cuts – which Vaizey and others say they will read.
The link takes you to an excellent interview – below I give just a few gems – please do read, support and pass this on!
Challenge Vaizey: An Interview with Fin Kennedy « The Oxford Culture Review
- Fin Kennedy
“As Albert Einstein put it: “Logic will get you from A to B. Imagination will take you everywhere.””
“Creativity and the capacity to innovate are really at the core of any healthy society and economy, and indeed could arguably be said to be one of the core elements of the human condition.”
“Nurturing creativity in the young is like installing the software on which all the other information they are absorbing will run. … Will studying GCSE Drama get a child a job as an actor? Probably not. Will it give them the skills to shine in any job interview which comes their way? Almost certainly.”
“VAT receipts on West End box office sales alone outstrip state investment in theatre – nationwide.”
“The art form will stagnate if new voices can’t make it through.”
Spread the word!
Some sound advice, echoing much I have come across elsewhere (online and in person)…
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